Friday, 23 October 2015

Thriller Trailers


Thriller Trailers:

 What sort of narratives/themes is typical to thrillers?

  • Sicario - Drug/Crime related, Some sort of quest
  • The Walk - lots of suspense, idea of doubt/uncertainty, back story featuring romance, ticking clock scenario, pre-determined identities
  • San Andreas - Disaster/Eco Thriller, worst case scenario and mildly realistic
  • Legend - Typical gangster styled film - period (1960's in America)
  • Bridge of Spies - Spy/Legal/Political

What enigmas are created/resolved?

  • The Walk - Plays on fears, life/death scenario
  • Crimson Peak - Past coming to life, haunted
  • Bridge of Spies - War/conflict/espionage

What mise-en-scene is typical?

  • Sicario - Mexico, desert, urban, realistic, guns for props
  • Crimson Peak - Creepy, deserted old house full of mystery's
  • Legend - 1960's in America, American Mafia involved, stereotypical props used in that period
  • Bridge of Spies - 1960's, true story

What sort of roles do the characters play?

  • Sicario - Female lead, Crime, Resourceful, good cop/bad cop
  • Crimson Peak - Heroic male, Female lead: not very powerful
  • Legend - 2 characters, 1 actor, mischief causing

Trailers of Thriller movies:
Spectre
The Walk
Legend
Kill Your Friends

BBFC and Target Audience

The BBFC and the Thriller Genre

The BBFC is the British Board of Film Classification. It controls all censorship on films throughout the UK, and has been doing this since 1912.
  • U - Universal - All ages admitted
  • PG - Parental Guidance - All ages admitted, some scenes not ideal though
  • 12A - Should be 12 years of age, with an adult
  • 12 - Only suitable for people 12 years +
  • 15 - Only suitable for people 15 years +
  • 18 - Only suitable for adults (18)
  • R18 - Restricted 18 - Can only be shown at licensed adult cinemas










Films are marked/rated on:
  • Context
  • Theme
  • Tone/Impact
  • Discrimination
  • Drugs
  • Imitable Behaviour
  • Language
  • Nudity
  • Sex
  • Threat
  • Violence



Wednesday, 14 October 2015

Limitless Opening Sequence Analysis

Limitless Intro

This shot captures the setting of where the film is being shot - A large cityscape, preferably New York. This shot captures the darkness and madness of the city, since it has used very low key lighting, and it is also a birds eye view shot. This camera still looks down upon a high rise building, making the audience question that a character of importance is inside the building.



The previous shot then escalates into showing the title of the film. It has used modern, bold sans serif font in white, to contrast against the dark background. It once again incorporates the busy city life into the shot, depicting the setting which the characters will act in. Since it is set in a very busy city, it determines the budget of the film, since New York is a city filled with wealth and notoriety.


This shot zooms in from the city to brain cells. This depicts that the film is about accessing 100% of your knowledge, instead of only '20%'. It uses warm colours, relating to blood to entice the audience. The writing also carries on being a modern, bold sans serif font, showing the cast and producers who worked on this film.



After looking into the depth of brain cells, it zooms in further, which morphs into looking down at New York city. This show is another birds eye view, which is extremely high up and shows the massive scale of the setting. This shot is also showing who has produced the film, and still uses sans serif font. It uses this font to depict with the modern, up to date lifestyle, especially when in such a high powered city like New York.








Friday, 9 October 2015

Conventions of Opening Title Sequences

Conventions of Opening Title Sequences

Independent: Not a huge company, going against the mainstream
Mainstream: Typical, large budget Hollywood movie
  • Introduces the main actors, director and production roles
  • Sets the scene and time of the film
  • Music sets the genre - action film: loud, bold string & brass instruments
  • Name of the film
  • Production Company
  • Name of the studio
  • Featuring
  • Casting by
  • Music Composed
  • Story by
  • Based on the characters by
  • Written by
Domino:
  • Opening uses snap shots
  • Super imposed titles over video
  • Action Gangster styled film

Napoleon Dynamite:
  • Props used to introduce the cast and crew
  • Indie Comedy
  • Low budget
Juno:
  • Low budget, indie movie
  • Uses cartoons to show titles
  • Many, collaborated shots to create a moving picture
  • Country music in the background, in time with the scene
  • Super imposed

Script for Preliminary

Preliminary Task - Script

Teacher - Right Norman, we know you've been graffitiing the maths block, what have you got to say for yourself?

Norman - It wasn't me.

Teacher - That's not good enough Norman! You're gonna have to sort this out, you're gonna have to do overtime for this!

Norman - Why don't you just suspend me?

Teacher - That's it! Suspended, for a week!

Thriller Conventions


Storyboard for Preliminary


Thursday, 1 October 2015

Preliminary Task Evaluation

Preliminary Task Evaluation

For this task, we had to organise ourselves into a group of 4 (max.) and shoot a short sequence to show we understand the basics of recording, editing and keeping continuity. This film had to include a character opening a door, crossing the room, sitting down in a chair opposite another character and have those two characters exchange dialogue. Continuity was key for this task.

I was in a group with Matt, George and Nat, and at the beginning of this task we struggled for ideas. However, we came up with a solution of a student getting in trouble at school for painting on some of the walls. Filming the actual scenario was probably the most accurate part of this task, since we knew what we had to do. Challenges our group had to overcome were the continuity errors, because the two actors – George and Matt were not wearing the same clothes as the day before, so we had to re-film some of it.

All of the footage we got was of a good quality. This is because we were able to use George’s Nikon camera, which we mounted to a dolly so we could maintain a steady shot. The lighting was rather light, which doesn’t fit in exceptionally well when it comes to thriller films, so that would be something to change for next time.

We edited these shots by using IMovie. This was quite a difficult task since most of us have never used the software before. However, we had a look on YouTube to find tutorials on how to develop our film. Our entire scene was then edited in black and white. This is because we wanted it to fit in with stereotypes of thriller movies and typical conventions. We also edited in non-diegetic and diegetic sounds. The non-diegetic sound was a classical piece to create a sense of tension amongst the audience, and we wanted the shots to be in time with music. The diegetic sound was the slap on the table, which was echoed and turned up to show anger from the actor.

I personally thought this task went successfully, however could’ve be improved with more time. Our continuity kept thorough throughout and we did not go beyond the 180-degree rule. Furthermore, our planning was consistent and we kept to our original idea without changing anything.


Throughout this task, I have learnt that if the continuity is not correct, then the whole of the scene will not make sense. Additionally, to ensure that the shots are processed well, the editing process needs to have quite a lot of time. I enjoyed this preliminary task too, since it has created a sense of teamwork and has taught me how to shoot shots well.

AS Preliminary Task